Fellow bandmate Marcus Miller, who served as bassist,
composer, and producer for Davis’ band recognized immediately the impact of Davis’ work: “His music, of course, everyone is familiar with. But when I knew him, he was painting as much as playing, and that was a real reflection of him, as well — and then his clothes. It was all the same thing. It was a statement of who he was and how he wanted to present himself. He was conscious that people were looking at him. And the clothes were so important back then, particularly in the ’40s and ’50s, because this was an era when black artists were fighting to be recognized as more than simple entertainers.”